I made my friend Matt a birthday card the other day, it had a little comic strip on the front. It made me realise I often write little comic strips for birthday cards and at work and for fun sometimes.
I started doing it a little while ago after hanging out with some friends who had a comic collective called London Underground Comics (which I don’t think exists anymore the co-founders seem to be Modern Monstrosity now) and enjoyed everyone I met there having their little characters and story lines and their passion for the medium, so I started doodling every now and then.
I have no real talent for drawing, but I quite enjoy writing these little comic strips, especially little three-cell shorts, so I thought I might as well start recording them for posterity. I think I may have put some up here before that I once drew for Nedry‘s tour blog, the strip I made for Matt’s birthday was inspired by those.
Anyhow, I’ve made a new page in the above menu for them, Occasional Comics, where I can add some blurred mobile phone pictures of any I write in the future just in case anyone else out there might enjoy looking at them.
Polinski is the name chosen by Paul Wolinski of 65daysofstatic for his upcoming solo album Labyrinths. I’ve been excited about this album for a while since hearing about its creation from Paul last year. This video directed by Caspar and Josiah Newbolt has resurrected that excitement so check it out. The album is released on the 7th of Novemeber on the very excellent Monotreme Records.
65daysofstatic will also be releasing their recent film re-score for 70s sci-fi epic Silent Running next month which I am sad to say I missed whilst they were playing it live this summer. With artwork like this from Version Industries though, I don’t think it’s one to miss out on.
I have been trying to use my time this week to get back to making music. In truth I’ve been trying to use my time for years to get back to making music. I still make music all the time, that is what I do for a living in fact, nearly everyday, I sit at this computer in my studio with a piano sized keyboard in front of me and various electronics surrounding me and I put together sounds and make music. But I find it is sometimes hard to find the time to spend making music for my own purposes, I guess that’s the case with a million passions transformed into careers.
So I went to see a Chopin exhibition at the British Library last week, and it reminded me of the times I spent when I was younger learning to play the piano. My teacher, Lorna, instilled in me a passion for Chopin when I was at that age, but I was below the skill level necessary to play Chopin’s Etudes which I loved so much and that frustrated me. I would hate practicing them because I couldn’t play them and so I would stare at the piano like I was halfway climbing up a cliff face and it was the overhang that I just couldn’t get past.
Seeing the particular Chopin Etude lying open in front of me in the exhibition in a glass case, reminded me of that feeling. Now I look back on it with a bit more life experience I realise that the open page in front of me now, the soaring triplet melody with the gentle bass accompaniment, had crushed my passion all those years ago. I have always loved to play the piano, to press the keys and to explore the keyboard to try and see it without the bounds of technical ability, period, history, key, structure, all of these cliff faces that hold me back. I love to just press the keys and see what noise they make, good or bad.
With this in mind and with the trivialities of life weighing my mind down this week, I wanted to just play music like that, to lose myself and escape into a landscape that I could explore. A landscape with cliffs and vast oceans maybe, but one where I can fly and they don’t hold me back. So I pulled a dusty suitcase down from the loft, the one I used to carry the old mixer and pedals in when I play improvised music not so long ago. I strung up all the pedals and electrical goodies I could find with my guitar and Max/MSP and I just messed around sending audio where it wasn’t supposed to go and looping things backwards and forwards pushing different sounds into the mix. No rules, no wrong notes, just sounds and noises and all under my control. Before long the whole afternoon had passed I hadn’t noticed it go. I was relaxed and free.
I wanted to share it so I thought I’d put something up. Improvising is a very personal thing and I wouldn’t imagine anyone wanting to hear what I did all day, so I put together a quick little video. I aimed for about 3 minutes, when I finished, it was 15. So I edited it down to 5 minutes with some terrible editing to post up. Sorry about the stupid filter, I got carried away because I only have iMovie and I can’t be bothered to re-render it on this machine. But there it is…
Brendan McNamee at Blunt Films gave me a call this week and invited me to help him with a film he’s got planned for the Bicycle Film Festival. So I loaded up and jumped on the new ‘location bike’ and we went down into South London to help execute the plan.
I’m not giving you any clues about what the outcome is going to be yet but I used some experimental recording techniques with some binaural mics whilst Brendan played polo. Got some really good sounds so watch this space because hopefully it’s going to be a really interesting little film.
My good friends Matt and Chris have been making music for years now. Their latest project with Ayu has started snowballing in the media so it’s about time I joined the band wagon and shared this album.
Condors is a beautiful changing landscape of gentle synths, glitchy atmospheres and powerful rhythms and bass sounds. They have been reviewed as somewhere between The XX and Burial, but I really enjoy the interspersions of guitar and drawn out half-time rhythms more reminiscent of post-rock than a pop/dubstep crossover. Either way, and if you prefer the electronic/dubstep side or the epic post-rock side, they sit on a fence that makes them accessible to anyone who likes good music.
Nedry have just got back from their tour in Japan and have recently signed with Monotreme Records. The album has been properly re-released now and is available from the label, from most good record shops and from Amazon too. They will be on tour in the UK in April/May (partially with 65daysofstatic) and I will be joining them. There are also as yet unconfirmed European dates coming up over the Summer. So check it out.
Hours lost, beers drunk in vein, effort of crossing London on a regular basis wasted and Chris’s reports upon returning; “We got drunk, but I don’t know if we wrote any music”. These were the spoils from the late 2007 practices and acoustic song writing sessions of Music Club, a post-Ekocam project by Chris Amblin, Lewis Baker and Simon Thompson. The lost sessions fell quickly to the back of the cupboard as time went on, while the digital dictaphone recordings of the musical brainstorms, shared via email as a post-meeting reminder of ideas, slipped quietly to the bottom of our inboxes.
Until now that is. Music Club has risen like a phoenix from the digital ashes. The River of Steel EP is a re-mixed, re-ordered, seasoned, marinated and slow-roasted side-order of the band that could have been, giving the world a taste of the main course, ‘the album that never was’. Their time never came, their moment never arrived. But this small insight into the creative talent imprisoned by boose and laziness will open your eyes to… [Lewis interrupts] Oh just shut up and play the f**ing song!
Ignugare an distorted electronic fusion of dirty synths, and heavily processed guitars and vocals over four to the floor electro beats intertwined with broken rhythms and intricately sliced samples.
They played their first gig together at Yoyo last night in Notting Hill tonight and I missed it, which is a shame, because I am excited to see how these four guys produced such big sounds live with such a minimal line up. (Minh Le is on drums, Phong Le on keys, Thomas Hyllested will be DJing whilst Tarek Sidki provides vocals.)
You can check out a preview of the sounds they are working on at the moment on their myspace, http://www.myspace.com/ignug, and hear the latest press and news on their blog, http://www.press-ignug.blogspot.com. I gather they have whole lot of material in the pipeline so I look forward to hearing more.
The Freckles and Frills photo shoot is now complete. The pictures from the shoot are for the Freckles and Frills website which is currently under construction. In the mean time you can find Freckles and Frills in Camden Passage market on Sundays and Portabello Market on Saturdays.
Check out the shoot here, and the Freckles and Frills site here.