After a bit of a summer of frolicking about the place I am settling back into the more mundane tasks of life and returning to the blog. I’m trying to find the little bits of fun that break up the monotonous boredom involved with having a career and making money and rubbish stuff like that.
One of those things will be one of my favourite times of year, the Bicycle Film Festival’s annual visit to London! If you don’t like bikes and stuff you should still check it out as there is always some good films that are worth watching regardless of the bicycle related orientation…
You should probably be specifically interested in two films by Brendan McNamee…
I have been trying to use my time this week to get back to making music. In truth I’ve been trying to use my time for years to get back to making music. I still make music all the time, that is what I do for a living in fact, nearly everyday, I sit at this computer in my studio with a piano sized keyboard in front of me and various electronics surrounding me and I put together sounds and make music. But I find it is sometimes hard to find the time to spend making music for my own purposes, I guess that’s the case with a million passions transformed into careers.
So I went to see a Chopin exhibition at the British Library last week, and it reminded me of the times I spent when I was younger learning to play the piano. My teacher, Lorna, instilled in me a passion for Chopin when I was at that age, but I was below the skill level necessary to play Chopin’s Etudes which I loved so much and that frustrated me. I would hate practicing them because I couldn’t play them and so I would stare at the piano like I was halfway climbing up a cliff face and it was the overhang that I just couldn’t get past.
Seeing the particular Chopin Etude lying open in front of me in the exhibition in a glass case, reminded me of that feeling. Now I look back on it with a bit more life experience I realise that the open page in front of me now, the soaring triplet melody with the gentle bass accompaniment, had crushed my passion all those years ago. I have always loved to play the piano, to press the keys and to explore the keyboard to try and see it without the bounds of technical ability, period, history, key, structure, all of these cliff faces that hold me back. I love to just press the keys and see what noise they make, good or bad.
With this in mind and with the trivialities of life weighing my mind down this week, I wanted to just play music like that, to lose myself and escape into a landscape that I could explore. A landscape with cliffs and vast oceans maybe, but one where I can fly and they don’t hold me back. So I pulled a dusty suitcase down from the loft, the one I used to carry the old mixer and pedals in when I play improvised music not so long ago. I strung up all the pedals and electrical goodies I could find with my guitar and Max/MSP and I just messed around sending audio where it wasn’t supposed to go and looping things backwards and forwards pushing different sounds into the mix. No rules, no wrong notes, just sounds and noises and all under my control. Before long the whole afternoon had passed I hadn’t noticed it go. I was relaxed and free.
I wanted to share it so I thought I’d put something up. Improvising is a very personal thing and I wouldn’t imagine anyone wanting to hear what I did all day, so I put together a quick little video. I aimed for about 3 minutes, when I finished, it was 15. So I edited it down to 5 minutes with some terrible editing to post up. Sorry about the stupid filter, I got carried away because I only have iMovie and I can’t be bothered to re-render it on this machine. But there it is…
My good friends Matt and Chris have been making music for years now. Their latest project with Ayu has started snowballing in the media so it’s about time I joined the band wagon and shared this album.
Condors is a beautiful changing landscape of gentle synths, glitchy atmospheres and powerful rhythms and bass sounds. They have been reviewed as somewhere between The XX and Burial, but I really enjoy the interspersions of guitar and drawn out half-time rhythms more reminiscent of post-rock than a pop/dubstep crossover. Either way, and if you prefer the electronic/dubstep side or the epic post-rock side, they sit on a fence that makes them accessible to anyone who likes good music.
Nedry have just got back from their tour in Japan and have recently signed with Monotreme Records. The album has been properly re-released now and is available from the label, from most good record shops and from Amazon too. They will be on tour in the UK in April/May (partially with 65daysofstatic) and I will be joining them. There are also as yet unconfirmed European dates coming up over the Summer. So check it out.
Hours lost, beers drunk in vein, effort of crossing London on a regular basis wasted and Chris’s reports upon returning; “We got drunk, but I don’t know if we wrote any music”. These were the spoils from the late 2007 practices and acoustic song writing sessions of Music Club, a post-Ekocam project by Chris Amblin, Lewis Baker and Simon Thompson. The lost sessions fell quickly to the back of the cupboard as time went on, while the digital dictaphone recordings of the musical brainstorms, shared via email as a post-meeting reminder of ideas, slipped quietly to the bottom of our inboxes.
Until now that is. Music Club has risen like a phoenix from the digital ashes. The River of Steel EP is a re-mixed, re-ordered, seasoned, marinated and slow-roasted side-order of the band that could have been, giving the world a taste of the main course, ‘the album that never was’. Their time never came, their moment never arrived. But this small insight into the creative talent imprisoned by boose and laziness will open your eyes to… [Lewis interrupts] Oh just shut up and play the f**ing song!
Ignugare an distorted electronic fusion of dirty synths, and heavily processed guitars and vocals over four to the floor electro beats intertwined with broken rhythms and intricately sliced samples.
They played their first gig together at Yoyo last night in Notting Hill tonight and I missed it, which is a shame, because I am excited to see how these four guys produced such big sounds live with such a minimal line up. (Minh Le is on drums, Phong Le on keys, Thomas Hyllested will be DJing whilst Tarek Sidki provides vocals.)
You can check out a preview of the sounds they are working on at the moment on their myspace, http://www.myspace.com/ignug, and hear the latest press and news on their blog, http://www.press-ignug.blogspot.com. I gather they have whole lot of material in the pipeline so I look forward to hearing more.